Poem
After Doomsday
Title | After Doomsday |
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Author | Conleth Ellis |
Instances of Publication
A published appearance of this poem.
Collection/Anthology | Year of Publication | Medium | View Details |
---|---|---|---|
After Doomsday | 1982 | Print Collection | View Details |
Publication Instance Details #1151
Collection/Anthology Details
Collection/Anthology | After Doomsday |
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Date of Publication | 1982 |
Publisher | Raven Arts Press (Ireland) |
Page Number(s) | 8-23 |
Publication Overview
Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
---|---|---|---|---|---|
No |
No |
Yes |
No |
Yes |
Yes |
Details
Human Rights Issues | |
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Irish Context | |
Languages | |
Genre | Lyric Sequence |
Medium | Print Collection |
Paratext Text | This is the deliberate breaking of a rose. Leave us alone. The blood is sick with thinking, Neither bird nor bone is innocent any longer, And a white rose against a brick wall in Dromcondra Is simply a shattering thing. Eugene Watters, The Weekend of Dermot and Grace |
Notes | Long lyric sequence, published as a book. The poem, written before Chernobyl, references an imaginary post-nuclear Irish wasteland in which the speaker and his wife are the only remaining survivors. The poem references Irish government documents, announcements, and the radio is prevalent as their last link with civilization. The speaker and his wife go through a journey of dealing with the nuclear catastrophe in the sequence, ending with their probable deaths at the end of poem. There are mythological references to the coming of Christ, with the 'Second Coming' here the disturbing and unsettling birth of a nuclear wasteland in which the speaker now lives. |
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