Poem
The Firing Squad
| Title | The Firing Squad | 
|---|---|
| Author | Paul Muldoon | 
Instances of Publication
A published appearance of this poem.
| Collection/Anthology | Year of Publication | Medium | View Details | 
|---|---|---|---|
| One Thousand Things Worth Knowing | 2015 | Print Collection | View Details | 
Publication Instance Details #1389
Collection/Anthology Details
| Collection/Anthology | One Thousand Things Worth Knowing | 
|---|---|
| Date of Publication | 2015 | 
| Publisher | Faber and Faber (UK) | 
| Page Number(s) | 81-82 | 
Publication Overview
| Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology | 
|---|---|---|---|---|---|
No   | 
                        No  | 
                        
                        Yes  | 
                        No  | 
                        Yes  | 
                        
                        No  | 
                    
Details
| Human Rights Issues | |
|---|---|
| War / Genocide Referenced | |
| Irish Context | |
| Languages | |
| Genre | Short Lyric | 
| Medium | Print Collection | 
| Paratext Text | I am going to tell you something I never but once let out of the bag before and that was just after I reached London and before I had begun to value myself for what I was worth. It is a very damaging secret and you may not thank me for taking you into it when I tell you that I have often wished I could be sure that the other sharer of it had perished in the war. It is this: The poet in me died nearly ten years ago - Robert Frost to Louis Untermeyer, May 4, 1916 I am very happy I am dying for the glory of God and the honour of Ireland. - Joseph Mary Plunkett to Father Sebastian, May 4, 1916 | 
| Notes | There are two epigraphs to this poem: one in which Robert Frost references World War I and a second by Joseph Mary Plunkett, written before his execution in the Easter 1916 Rising. Explicit references to colonization in the context of Ireland, but also implicitly points towards a wider or more general context of poetry and violence. | 
                    
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