Poem
Homecoming
| Title | Homecoming |
|---|---|
| Author | Deirdre Brennan |
Instances of Publication
A published appearance of this poem.
| Collection/Anthology | Year of Publication | Medium | View Details |
|---|---|---|---|
| Swimming with Pelicans/Ag Eitilt fara Condair | 2007 | Print Collection | View Details |
Publication Instance Details #1661
Collection/Anthology Details
| Collection/Anthology | Swimming with Pelicans/Ag Eitilt fara Condair |
|---|---|
| Date of Publication | 2007 |
| Publisher | Arlen House (Ireland) |
| Page Number(s) | 77-78 |
Publication Overview
| Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
|---|---|---|---|---|---|
No |
No |
Yes |
No |
No |
No |
Details
| Human Rights Issues | |
|---|---|
| Irish Context | |
| Languages | |
| Genre | Short Lyric |
| Medium | Print Collection |
| Notes | The first-person speaker of this poem is confronted with a scene of death on her door-step; the white feathers of a dead pigeon killed by a sparrow hawk in her garden. This prompts a strong sense of foreboding and a meditation on death. There is an explicit reference to refugees displaced by war. Although not specified, this may be an allusion to war in Iraq as 'cold bread-ovens' is an image that Brennan also uses in the poem 'Oícheanta Arabacha' / 'Arabian Nights', which explicitly responds to the invasion of Iraq and condemns the destruction of cultural heritage. |
Is bunachar beo é seo. Entries continue to be updated.