Poem
An Géarchaoineadh, Sceilg Mhichíl
Title | An Géarchaoineadh, Sceilg Mhichíl |
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Author | Paddy Bushe |
Instances of Publication
A published appearance of this poem.
Collection/Anthology | Year of Publication | Medium | View Details |
---|---|---|---|
Gile na Gile | 2005 | Print Collection | View Details |
Publication Instance Details #1896
Collection/Anthology Details
Collection/Anthology | Gile na Gile |
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Date of Publication | 2005 |
Publisher | Coiscéim (Ireland) |
Page Number(s) | 26-27 |
Publication Overview
Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
---|---|---|---|---|---|
No |
No |
Yes |
No |
Yes |
Yes |
Details
Human Rights Issues | |
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Irish Context | |
Languages | |
Genre | Short Lyric |
Medium | Print Collection |
Paratext Text | do Mhícheál Ua Ciarmhaic |
Notes | The speaker of this poem is 'Bean an Uaill', a personification of Sceilg Mhichíl, an island off the coast of County Kerry. The 'caoineadh' or 'keening' Irish tradition of public grief is central to this poem. Bean an Uaill describes herself as ancient, genderless, and in the form of the rock itself. She keens many aspects of the world: the pilgrims, the erosion of her rocks by the sea, the actions of engineers on the rocks, and the fate of Jesus himself. Notably, she keens the 'other keening women' all around the world, who reach to the cameras, covering young dead people with flags. This is a reference, perhaps, to images of war-torn countries in which young people are frequently killed, such as Palestine, Syria, or Yemen. The media aspect of their keening is captured in the poem by mentioning the 'cameras' that take the pictures of these bereft women. |
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