Poem
The Bondman
Title | The Bondman |
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Author | Lola Ridge |
Instances of Publication
A published appearance of this poem.
Collection/Anthology | Year of Publication | Medium | View Details |
---|---|---|---|
Firehead | 1929 | Print Collection | View Details |
Publication Instance Details #3187
Collection/Anthology Details
Collection/Anthology | Firehead |
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Date of Publication | 1929 |
Publisher | Payson & Clarke (USA) |
Page Number(s) | 199-209 |
Publication Overview
Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
---|---|---|---|---|---|
No |
No |
No |
No |
No |
No |
Details
Human Rights Issues | |
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Languages | |
Genre | Long (narrative) Poem |
Medium | Print Collection |
Notes | This is the fifth section of the long narrative poem 'Firehead' - Lola Ridge's magnum opus, published in 1929. 'Firehead' is based on the story of the crucifixion, and is often understood to be, in part at least, a response to the unfair trial and conviction of Nicola Sacco and Bartolomeo Vanzetti in 1921 and their execution by electric chair in 1927. Lola Ridge attended a public protest in 1927 that took place outside of the Massachusetts Prison where the immigrants Sacco and Vanzetti were held and were to be executed. Nicola Sacco and Bartolomeo Vanzetti were Italian immigrant anarchists who were controversially accused of murdering Alessandro Berardelli and Frederick Parmenter, a guard and a paymaster, during the April 15, 1920, armed robbery of the Slater and Morrill Shoe Company in Braintree, Massachusetts, United States. The collection 'Firehead' is divided into nine parts and addresses an array of themes including violence, gender, racism, and freedom of conscience - themes that had clear contemporary resonances.This eighth section titled 'The Bondman' is subdivided into two poems titled respectively: 1. Mid-afternoon and 2.Twilight. It focuses on Tiro, the first slave and then freedman of Cicero. The polyvocal nature of 'Firehead' brings attention to the act of witnessing and to the constructed nature of 'authoritative' accounts of witness. |
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