Poem

Resurrection

Title Resurrection
Author Lola Ridge

Instances of Publication

A published appearance of this poem.

Collection/Anthology Year of Publication Medium View Details
Firehead 1929 Print Collection View Details
Publication Instance Details #3188
Collection/Anthology Details
Collection/Anthology Firehead
Date of Publication 1929
Publisher Payson & Clarke (USA)
Publication Overview
Translation Is Multilingual Explicit Irish Context? Ekphrasis Has Paratext? Reference to News, Media or Technology
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No
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Details
Human Rights Issues
Languages
Genre Long (narrative) Poem
Medium Print Collection
Notes This is the fifth section of the long narrative poem 'Firehead' - Lola Ridge's magnum opus, published in 1929. 'Firehead' is based on the story of the crucifixion, and is often understood to be, in part at least, a response to the unfair trial and conviction of Nicola Sacco and Bartolomeo Vanzetti in 1921 and their execution by electric chair in 1927. Lola Ridge attended a public protest in 1927 that took place outside of the Massachusetts Prison where the immigrants Sacco and Vanzetti were held and were to be executed. Nicola Sacco and Bartolomeo Vanzetti were Italian immigrant anarchists who were controversially accused of murdering Alessandro Berardelli and Frederick Parmenter, a guard and a paymaster, during the April 15, 1920, armed robbery of the Slater and Morrill Shoe Company in Braintree, Massachusetts, United States. The collection 'Firehead' is divided into nine parts and addresses an array of themes including violence, gender, racism, and freedom of conscience - themes that had clear contemporary resonances. 'Resurrection' is the ninth and final section of 'Firehead'. It is subdivided into two poems titled respectively:1. Mary of Magdala and 2. John walks in the morning. In these lines, Ridge recounts Jesus' resurrection via the perspectives of Mary Magdalene and John. The multiplicity of voices in 'Firehead' calls attention to the act of witnessing and to the suppression or marginalization of multiple voices in so-called 'authoritative' accounts.
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