Poem
Drawing Ballerinas
Title | Drawing Ballerinas |
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Author | Medbh McGuckian |
Instances of Publication
A published appearance of this poem.
Collection/Anthology | Year of Publication | Medium | View Details |
---|---|---|---|
Drawing Ballerinas | 2001 | Print Collection | View Details |
Publication Instance Details #3365
Collection/Anthology Details
Collection/Anthology | Drawing Ballerinas |
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Date of Publication | 2001 |
Publisher | The Gallery Press (Ireland) |
Page Number(s) | 14-15 |
Publication Overview
Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
---|---|---|---|---|---|
No |
No |
Yes |
Yes |
Yes |
No |
Details
Human Rights Issues | |
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War / Genocide Referenced | |
Irish Context | |
Languages | |
Genre | Short Lyric |
Medium | Print Collection |
Paratext Text | 'This poem was written to commemorate Ann Frances Owens, schoolfellow and neighbour, who lost her life in the Abercorn Café explosion, 1972. The painter, Matisse, when asked how he managed to survive the war artistically, replied that he spent the worst years 'drawing ballerinas'. |
Notes | As is evident from the paratext, this poem is a response to a specific act of violence in the North of Ireland during the 'Troubles'. The paratext also indicates, however, that another context is also being evoked, namely, the violence of World War II. The reference in the paratext to French visual artist, Henri Matisse, is central to the theme of the poem, which alludes to Matisse's painting of ballerinas in order to explore the larger question of the role of aesthetics in times of violence. An important intertext identified by Shane Alcobia-Murphy is 'The Drawings of Henri Matisse'. |
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