Poem
Frithluail Phavlovach
Title | Frithluail Phavlovach |
---|---|
Author | Tomás Tóibín |
Instances of Publication
A published appearance of this poem.
Collection/Anthology | Year of Publication | Medium | View Details |
---|---|---|---|
Súil le Cuan | 1967 | Print Collection | View Details |
Publication Instance Details #2597
Collection/Anthology Details
Collection/Anthology | Súil le Cuan |
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Date of Publication | 1967 |
Publisher | Cló Morainn (Ireland) |
Page Number(s) | 60 |
Publication Overview
Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
---|---|---|---|---|---|
No |
No |
Yes |
No |
No |
No |
Details
Human Rights Issues | |
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War / Genocide Referenced | |
Irish Context | |
Languages | |
Genre | Prose Poem |
Medium | Print Collection |
Notes | A 'stream of consciousness' poem, written from the perspective of a man of the Pale area of Ireland. The poem touches on various aspects of Irish identity in the early twentieth century, including mentions of World War I, the Boer War, Irish participation in the British Army, Independence, Home Rule, John Redmond, and the legacy of the Irish language. The speaker of the poem strongly hints at the end that he met his end during World War I. The title of the poem refers to a 'Pavlovian Response', a form of classical conditioning in which a biologically potent item, such as food, is paired with a neutral stimulus, such as a bell, i.e. dog's mouth waters at the sound of the bell, as it was rung when food was previously brought. |
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