Poem
Easpa Comhbhróin
| Title | Easpa Comhbhróin |
|---|---|
| Author | Nuala Ní Dhomhnaill |
Instances of Publication
A published appearance of this poem.
| Collection/Anthology | Year of Publication | Medium | View Details |
|---|---|---|---|
| Cead Aighnis | 1998 | Print Collection | View Details |
| Feis agus Cead Aighnis | 2015 | Print Collection | View Details |
| The Fifty Minute Mermaid | 2007 | Print Collection | View Details |
Publication Instance Details #718
Collection/Anthology Details
| Collection/Anthology | Cead Aighnis |
|---|---|
| Date of Publication | 1998 |
| Publisher | An Sagart (Ireland) |
| Page Number(s) | 111 |
Publication Overview
| Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
|---|---|---|---|---|---|
No |
No |
Yes |
No |
No |
No |
Details
| Human Rights Issues | |
|---|---|
| Irish Context | |
| Languages | |
| Genre | Part Of Lyric Sequence |
| Medium | Print Collection |
| Notes | This sequence of poems, 'Na Murúcha a Thriomnaigh', makes use of the international folk tale of the mermaid to construct an allegorical world in which the merpeople have left the water and now live uneasily among humankind on earth. The speaker of this poem describes the remarkable lack of sympathy encountered by the merpeople on the many accidental deaths of mer-children who, ironically, drowned. Peig Sayers is notably mentioned, with the speaker giving her bereavement and ostracisation as an example of the treatment that the merpeople got after similar events. The 'host' land-based culture is portrayed as superstitious and suspicious of the merfolk. The Great Famine and Irish cultural loss is often often understood to be implicit in this sequence of poems. |
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