Poem
Teoranna
| Title | Teoranna |
|---|---|
| Author | Nuala Ní Dhomhnaill |
Instances of Publication
A published appearance of this poem.
| Collection/Anthology | Year of Publication | Medium | View Details |
|---|---|---|---|
| Cead Aighnis | 1998 | Print Collection | View Details |
| Feis agus Cead Aighnis | 2015 | Print Collection | View Details |
| The Fifty Minute Mermaid | 2007 | Print Collection | View Details |
Publication Instance Details #761
Collection/Anthology Details
| Collection/Anthology | Feis agus Cead Aighnis |
|---|---|
| Date of Publication | 2015 |
| Publisher | Cló Iar-Chonnachta (Ireland) |
| Page Number(s) | 354-355 |
Publication Overview
| Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
|---|---|---|---|---|---|
No |
No |
Yes |
No |
No |
No |
Details
| Human Rights Issues | |
|---|---|
| Irish Context | |
| Languages | |
| Genre | Part Of Lyric Sequence |
| Medium | Print Collection |
| Notes | This sequence of poems, 'Na Murúcha a Thriomaigh', makes use of the international folk tale of the mermaid to construct an allegorical world in which the merpeople have left the water and now live uneasily among humankind on land. This poem focuses on language and the larger questions of cultural understanding and cultural assimilation. The language of the merpeople created a very different view of individuals and concepts. Now, the mermaid has difficulty in noting the boundaries between individuals. The speaker of the poem ominously states that this failure to adapt led to all the trouble in the end. The Great Famine and Irish cultural loss are understood to be implicit in this sequence of poems, however, other cultural and linguistic contexts could also be imagined. |
Is bunachar beo é seo. Entries continue to be updated.