Poem
The Merfolk and Music
Title | The Merfolk and Music |
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Author | Paul Muldoon |
Instances of Publication
A published appearance of this poem.
Collection/Anthology | Year of Publication | Medium | View Details |
---|---|---|---|
The Fifty Minute Mermaid | 2007 | Print Collection | View Details |
Publication Instance Details #793
Collection/Anthology Details
Collection/Anthology | The Fifty Minute Mermaid |
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Date of Publication | 2007 |
Publisher | The Gallery Press (Ireland) |
Page Number(s) | 103, 105, 107 |
Publication Overview
Translation | Is Multilingual | Explicit Irish Context? | Ekphrasis | Has Paratext? | Reference to News, Media or Technology |
---|---|---|---|---|---|
Yes |
Yes |
Yes |
No |
No |
No |
Details
Human Rights Issues | |
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Irish Context | |
Languages | |
Original Language | |
Original Poem | |
Original Author | |
Genre | Part Of Lyric Sequence |
Medium | Print Collection |
Notes | This sequence of poems, 'Na Murúcha a Thriomnaigh', makes use of the international folk tale of the mermaid to construct an allegorical world in which the merpeople have left the water and now live uneasily among humankind on earth. The speaker of the poem outlines the awkward relationship between merpeople and music, despite their songs and musical culture which they had in their homeland underwater. The speaker of the poem also highlights the personal relationship she had with 'our mermaid' in this poem, when the mermaid demands the music in the car be turned off. This poem makes reference to the trauma and hardship of the merpeople, which led them to abandon not only music, but also any kind of 'frivolous' pastime in order to create a secure life for themselves. The Great Famine and Irish cultural loss is understood to be implicit in this sequence of poems. |
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